Nirgun Sirgun

Thara rang mahal mein

ajab shahar mein

Aaja re hansa bhai

nirgun raja pe sirgun sej bichhai..

Arre haan re bhai

ina devaliya  mein dev nahin

jhaalar kute garaj kasi?


Oh my brother!

There’s no god in that temple

What’s the point

of ringing the bell?

Rumi-E-Kashmir

“Awwal Hamd sanaa elaahi, jo maalik har harr da
Us da naam chataaran aala, kise vi maidan na harda”
 
First, all praise is for almighty who is lord of all
Who so ever recites his name, never loses in any life

I don’t remember reading this Kalam, but it has been ingrained within my subconscious. I even don’t remember the first time I heard it. And I am not alone, a community has been bonded together with this age old Kalam.  The mountains of Pir Panjal, the Dhoks and the Margs right from across the Jhelum to Badharwa and even beyond resonate with words of wisdom.Awal Hamd is the first couplet of Saif-Malook( also called Saif ul Malook, Safar ul Ishq) and is an introduction, a prayer and praise of almighty. Saif Malook is the magnum opus of Mian Muhammad Baksh. It uses a lovestory as an allegory to describe Sufi’s journey. The magic of Saif Malook lies in its simplicity. It has been intricately woven into the local parlance and yet it is able captures magnanimity of Sufi thoughts and ideas. Text is concise and mostly deals with trails and tribulations of day today lives. Themes of friendship, ego, kinship and adoration are dotted throughout. The text opens up as the tale of Price Saif-ul-Mulk who falls in love with fairy princess Badi-ul-Jamal. It describes prince’s journey towards his goal faced with existential questions and the white Giant- Deuo Safaid. The genius of Muhammad Mian Bakhsh is in creating couplets which are complete in themselves and yet when projected together, they form small parts of a much bigger plan. Text contains over nine thousand such couplets which share a metrical form.

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