Towards Panjal and beyond. Awarded Best Film in Non-feature film category.
What I really liked about the film was that it tried to capture the entire journey. The camera travels with the caravan as it heads towards the margs of Kashmir crossing the treacherous Panjals. The scenes follow the timeline of shooting for most part of the film. Shooting in strong winds and slippery mountains is a tough task. Director writes“The horse carrying our equipment skidded and broke the solar charger. This limited our shooting hours so I had to use the camera judiciously to save my batteries.”
The translations are a bit off the mark. “Bakarwali go zamano ni de punjabi ban ja” translated into “If you don’t want to do it go to hell.” I cannot equate being a punjabi to going to hell.
Rajesh Koul’s film on Bakkarwals got the music right. Shepherds of Paradise has Kashmiri music playing the background which is not the part of culture that film tries to depict. Its strength is in depicting life of shepherd as he undertakes the journey every year and the film does that beautifully.
There are many passes that the shepherds use to travel across Panjals. I am guessing, this film was shot along the Darhal pass.
Routes in Jammu & Kashmir (Thacker, Spink & co. 1897) lists other passes. (via Hajipeer)
(via Pajja Pass)
(via Gajjan Pass)
(via Nilkanta Pass)
Poonch-Kahuta-Hillun-Dangar Allan-Pharpat Marg-Gulmarg
(via Firozpur Pass)
(via Zamir Pass)
(Via Tosh Maidan)
(via Nurpur pass)
(via Pir Panjal Pass,Mughal Road)
(via Chotti Gali Pass)